Post Production & Editing Jobs

Seach Post Production & Editing Jobs in Film & TV Australia

Browse Editing and Post Production jobs in Australia. Post production jobs include editor, compositor, colourist and post-producer.

Media Operator / Studio Generalist - Gold Coast

The Post Lounge (Full-time job) Oxenford, Gold Coast

10th April 2026

10th April 2026

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Media Operator / Studio Generalist - Gold CoastThe Post Lounge

Oxenford, Gold Coast

10th April 2026


--About The Post Lounge--

The Post Lounge Group is an independently owned, full-service post production company. We work with agencies, brands, broadcasters and studios from Australia and around the world, delivering high-end visuals and sound with a focus on craft, collaboration and technical excellence.

We're a tight-knit team with a warm studio culture, plenty of industry energy, and a shared commitment to doing things properly. Our values are Excellence, Respect, Passion, Innovation, Collaboration, and Courage.

--The Role--

We're looking for a Media Operator / Studio Generalist to join our Gold Coast team.

This is a hands-on role that combines core media operations (ingesting, transcoding, QC, mastering and delivery) with dailies processing and broader studio support. You'll be a key part of how the Gold Coast facility runs day to day, both technically and operationally.

This role is based full-time at our Gold Coast studio in Oxenford, with occasional support to our other studios (remotely or in person) as required.

We're after someone with some post production experience under their belt, who's comfortable working independently and can switch between technical media work, client-facing duties and general studio upkeep without missing a beat.

You will be working day-to-day with producers, editors, colourists and online artists on the Gold Coast, with support from senior operators across the group.

--What you'll do--

Media management

- Ingest rushes from production (camera cards, drives, remote transfers)
- Transcode and generate proxies for offline editorial
- Organise and maintain file structures, naming conventions and metadata
- Assist editors and online artists with media relinks and re-conforms
- Prep and consolidate projects for colour, sound and online finishing
- Help manage archives, backups and data wrangling across servers and drives

Dailies

- Process and deliver dailies for film and television productions
- Work with Colorfront On-Set Dailies and related tools to generate review and editorial media
- Apply looks, CDLs and LUTs as required by the production and DOP
- Communicate with on-set and production teams to ensure timely, accurate dailies turnaround

QC, mastering and delivery

- Export and master files for TVC, digital, social and cinema delivery
- Perform QC checks to ensure files meet technical and creative requirements
- Troubleshoot file, codec and format issues
- Manage deliveries via platforms such as Aspera, MediaShuttle, Frame.io, Vimeo and others
- Maintain accurate version control and delivery logs

Studio generalist / front of house

- Be the face of the Gold Coast studio - welcome clients, manage the front of house area and ensure the space is presentable and well-stocked
- Coordinate meeting rooms, client suites and general studio logistics
- Handle ad hoc studio upkeep including spot cleaning, kitchen and common area maintenance
- Support the broader team with whatever needs doing to keep the facility running smoothly

--About you--

You'll have some hands-on experience in post production, broadcast, dailies or a related technical media environment. You might be a couple of years into your career, or coming from an adjacent role where you've already picked up solid foundations.

You'll likely have:

- Working knowledge of file formats, codecs, frame rates, resolution standards and colour fundamentals
- Experience with post production or dailies tools (e.g. Colorfront On-Set Dailies, DaVinci Resolve, Avid, Media Encoder, or similar)
- Strong file organisation habits and a sharp eye for detail
- The ability to juggle multiple tasks and deadlines without dropping anything
- A calm, clear communication style - comfortable with both creative and technical people, and equally comfortable with clients
- Pride in keeping a workspace tidy, professional and welcoming
- A proactive, roll-up-your-sleeves attitude - no task is beneath you

Bonus points (nice to have, not essential)

- Direct experience with Colorfront On-Set Dailies in a production environment
- Familiarity with on-set workflows, camera metadata and dailies pipelines
- Experience with delivery platforms (Media Shuttle, FileCatalyst, FTP, etc.)
- Exposure to Flame, Resolve, VFX pipelines or colour grading workflows
- Understanding of audio deliverables (mix splits, stems, etc.)
- Any client service, hospitality or front-of-house experience


--What we offer--

- A role in a professional post production studio with real career pathways
- Hands-on experience across media ops, dailies, QC, delivery and broader post workflows
- The opportunity to work on high-end commercial and digital work, feature films and series
- A supportive, collaborative team culture across multiple locations
- Learning and development support via our internal L&D platform
- Regular well-being initiatives that change each quarter
- Industry exposure through our business development and networking sessions
- A social, friendly studio culture that values initiative, care and contribution

--Salary and conditions--

$65,000–$70,000 p.a. + superannuation, based on a standard 40-hour week. Some projects require occasional night shifts and extended hours (up to 50 hours per week), which are remunerated appropriately on a per-project basis.

--How to apply--

Send a PDF CV and cover letter about why this role interests you (and any relevant experience or projects) to [email protected].

Shortlisted applicants will be contacted for an interview at our Gold Coast studio.

Head of Colour / Senior Colourist (Film & Television)

The Post Lounge (Full-time job) Redfern, Sydney

21st January 2026

21st January 2026

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Head of Colour / Senior Colourist (Film & Television)The Post Lounge

Redfern, Sydney

21st January 2026


The Post Lounge (TPL) is hiring a Head of Colour / Senior Colourist to lead colour across our film and television work and set the standard for everything we do.

This role is a key creative lead in our business. It’s a genuine top-of-the-tree position with real influence: premium projects, high-end clients, serious facilities, and the mandate to build a world-class colour culture across multiple sites.

We’re searching globally, but the mission is simple: hire Australia’s best colourist.

The role:
You’ll be the creative and technical authority for colour at TPL. You’ll lead DI and grading on our most important projects, own colour standards and calibration across all facilities, and mentor and elevate our colour team.

This job is 100% in-facility, but you can be based at any TPL site (Sydney, Brisbane, Gold Coast, or Melbourne). Sydney is the natural centre, but we’re open to the right person choosing the right home base.

What you’ll do:
- Lead colour grade and DI for feature films and premium episodic
- Run attended sessions with directors, DOPs, producers, and post supervisors
- Own colour workflows and standards across all sites, ensuring consistency and best-practice delivery
- Oversee calibration and performance of colour-critical environments and monitoring
- Mentor, train, and develop junior and mid-level colourists across the business
- Help grow the work: client retention, relationships, industry presence, and selective outreach with our BD/marketing teams

What we’re looking for
- 10+ years as a professional colourist in longform DI/finishing colour (film and/or high-end TV)
- International feature film credits (showreel and credits matter here)
- Proven ability to lead sessions, handle high expectations, and deliver under pressure without drama
- Deep technical fluency across modern colour management and finishing workflows (SDR/HDR, ACES or equivalent pipelines, clean versioning/QC discipline)
- A strong point of view, high standards, and the generosity to mentor others

Why this is a big deal:
- You’ll shape the department and quality bar across multiple facilities
- You’ll work with teams who care about craft
- You’ll be backed by a business building serious momentum in longform post
- You’ll have the platform to do career-defining work and be publicly associated with it

Location and work style:
- In-facility role, based at any TPL site (Sydney preferred, but flexible)
- Some travel between sites may be required for key sessions, standards, and team development
- Global candidates welcome if you’re ready to relocate to Australia

To apply, please send the following info to [email protected] :
- CV + credits list
- Showreel link (with your specific contribution clearly identified) and any other relevant supporting material
- A short note on your preferred base location and availability
- Salary expectations

All applications and enquiries are confidential.

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Junior Editor - Temporary Role

Shooting Star Company Group (Contract job) Pyrmont, Sydney

21st September 2025

21st September 2025

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Junior Editor - Temporary RoleShooting Star Company Group

Pyrmont, Sydney

21st September 2025


Our Pyrmont Production Company is seeking the services of a Junior
Editor to assist with holiday cover 7 Oct - 14 Nov (six weeks).

The position involves a varied range of work on film & event trailers, cinema &
TV commercials, corporate and in-house promotion and design.

In summary the ideal candidate will possess:
-Minimum of 1 year experience
- Skills in Premiere Pro, After Effects, Audition, Media Encoder, Photoshop and Illustrator
- Good communication, organisational and time-management skills
- A knowledge of cinema formats and assets is advantageous
- An eye for good design and aesthetics that can be applied to a commercial environment

Applicants please include a showreel or link to an online reel to be considered.

Please email applications and showreels to [email protected]

EDITOR NEEDED for Architecture Documentary

Cubic Films Pty Ltd (Contract job) Waverley, Sydney

4th September 2025

4th September 2025

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EDITOR NEEDED for Architecture DocumentaryCubic Films Pty Ltd

Waverley, Sydney

4th September 2025


NOW HIRING: EDITOR – “Design With Country” (Short Documentary)

Location: Remote
Type: Contract (6–8 weeks)
Rate: Negotiable, commensurate with experience

WHO WE’RE LOOKING FOR

We’re seeking a story-driven editor with a strong sense of rhythm, emotional pacing, and visual sensitivity.

This role will suit someone who is:

• Experienced in short-form documentary editing (30–60 mins)
• Confident with interview-driven narrative structures
• Able to work with multicam interviews, B-roll, and archival stills
• Sensitive to Indigenous storytelling protocols
• Comfortable collaborating with a creative director and cinematographer remotely
• A strong communicator with a keen visual instinct



KEY SKILLS

• Adobe Premiere Pro (or DaVinci Resolve/FCPX)
• Experience editing to VO + confessional structure
• Working with timecoded transcripts
• Ability to incorporate motion graphics, maps, subtle text overlays
• Audio syncing and basic sound design (with sound mixer handoff later)



BONUS POINTS FOR

• Prior work on First Nations or place-based storytelling
• Background in architecture, landscape, or visual arts
• Comfort with story assembly from paper cuts/scripts
• A collaborative spirit – someone who values listening as editing



WHAT WE PROVIDE

• Logged transcripts + preliminary paper cut
• Professionally recorded 4K interviews
• High-quality B-roll from architectural projects
• Access to cultural consultants for sensitivity review
• Flexible working conditions + creative support



TIMELINE

• Start: Late September / Early October
• Rough Cut: ~4 weeks after onboarding
• Fine Cut / Delivery: ~2–3 weeks after notes



TO APPLY

Please email [email protected] with

• Short bio + reel (especially doc work)
• Link to one standout short doc or reel
• Your availability and rate expectations



APPLICATIONS CLOSE: Sept 20, 2025

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Digital Media Services Operator

Vantiva (Contract job) Prestons, Sydney

19th November 2024

19th November 2024

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Digital Media Services OperatorVantiva

Prestons, Sydney

19th November 2024


Vantiva is seeking a dedicated and detail-oriented Digital Media Services Operator to join our dynamic team in Prestons, NSW. The successful candidate will be responsible for, quality assessments and classification of multimedia content. You will support the planning, operation, and content management of the digital media services department, ensuring all processes are executed efficiently and with the highest level of quality.
This role requires a keen attention to detail, strong organizational skills, and the ability to work independently while meeting deadlines. The Digital Media Services Operator will also be expected to conduct thorough quality assessments of client content and communicate directly with clients regarding QC progress and any issues that may arise. Must be proficient in Premiere Pro and DaVinci Resolve.

Why Join Vantiva?
At Vantiva, we offer a dynamic and collaborative environment where creativity and attention to detail are at the heart of everything we do. If you have a passion for digital media and meet the requirements outlined above, we’d love to hear from you!

How to Apply:
Please submit your resume and a cover letter outlining your relevant experience to [email protected]. Please include "Digital Media Services Operator Role" in the subject line.

Application Deadline: 6th December 2024

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Social Media Marketing Intern

Commonfolk Records (Contract job) Coolum, Sunshine Coast, Sunshine Coast

20th June 2024

20th June 2024

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Social Media Marketing InternCommonfolk Records

Coolum, Sunshine Coast, Sunshine Coast

20th June 2024


ABOUT COMMONFOLK

Commonfolk is an independent music company based on the Sunshine Coast, QLD.
With an intent to champion and promote positive messages in society, Commonfolk Records has carved out it's pathway of independence in the music industry, led by integrity, sustainability, and creativity.


Commonfolk specialises in artist management, label services, live event promotion, merchandise production and book publishing.


ABOUT THE ROLE

We are on the hunt for a Social Media Intern to join our dynamic marketing team at Commonfolk Records.
We are looking for a passionate digital creator and social media enthusiast with a strong creative drive who is willing to learn and who has a great understanding of current social media platforms and trends.


As an intern, you will collaborate closely with our marketing team to produce visually compelling content tailored for platforms such as TikTok, Instagram, and others. You will learn about the top strategies and techniques for brand growth and fan engagement, as well as work with a creative team within the music industry.


If you embody these qualities and are excited about this opportunity, we encourage you to submit your application. This position is based at our office in Coolum.


REQUIREMENTS

Passion for learning how to video edit and create content, and a sharp eye for detail
Knowledge of social media platforms including TikTok, YouTube and Instagram
Effective communication and teamwork abilities are essential, alongside strong collaboration skills


Familiarity with social media platforms is a must. Experience with video editing software like Adobe Premiere Pro, Final Cut Pro, or similar tools is advantageous but not required.


To apply, please submit your CV along with a Cover Letter!

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Client Services

ARC EDIT (Full-time job) Alexandria, Sydney

15th May 2024

15th May 2024

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Client ServicesARC EDIT

Alexandria, Sydney

15th May 2024


ARC | FULL-TIME CLIENT SERVICES

ARC EDIT is a post-production facility with offices in Sydney & Melbourne. We work across high-end commercials, TV dramas, short films, music videos & feature films.

This full-time role is for somebody wanting to start a career in film and advertising. It is entry-level and will give you all the experience necessary to grow within the industry as well as the opportunity to meet and work with some of Australia and the world’s top directors, producers and creatives.

Based out of our Alexandria office, the role will require working flexible hours and a current driving license is is preferable.

Working closely with our Operation Manager and the Production team on the ground, you will be responsible for creating an exceptional client experience by ensuring the Sydney office operates at ARC’s best standards, setting up and running the office in the day to day as well as managing catering, stocks, maintenance and anything else as required.

This hospitality-focused role is split between client services and administration duties, ensuring that ARC clients are looked after to the highest standards being the primary focus, in promoting the culture of our company by having a warm and friendly can-do approach.


Day to day duties

- Open the office ensuring all common areas and suites are neat and inviting
- Greeting people as they come in and make everyone feel welcome & comfortable
- Liaise with Production and Artists as their Director, Agency and Clients come in
- Prepare simple food and beverages (toast, coffees, teas etc.)
- Order and set out lunch catering
- Answer the phones
- Stock takes & ordering, e.g.: kitchen, bathroom, stationery and any other supplies
- Prepare & file paperwork, receipts etc. for the accounts department


Additional duties

- Managing social media accounts e.g.: scheduling and drafting posts, gathering credits, writing copy and managing media in conjunction with our Junior Assistant Editor & Production team
- Managing award entries, including maintaining an award show calendar, coordinating entry documents, media and client letters in liaison with Executive Producers
- Assist in any other relevant tasks as required by the Operations Manager and Production


The skills you’ll build

- Understanding the Director/Editor relationship, and that of all stakeholders, and the stages of the post-production process
- Time management skills and dealing with pressure in a creative environment
- Develop relationships with ARC EDIT Producers and clients and ARC FILM production teams


The ideal candidate will

- Be highly organised and have great attention to detail
- Have excellent communication skills and ability to build a lasting rapport confidently with clients, directors, external suppliers and staff.
- Be social media & computer savvy
- Have a keen interest in film, literature, art & design
- Work calmly and constructively under pressure
- Be proactive, diligent and methodical

Please email your cover letter & resumé as PDFs to [email protected]

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Senior Technical Expert - Post Production

With Recruitment (Full-time job) Sydney

10th April 2024

10th April 2024

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Senior Technical Expert - Post ProductionWith Recruitment

Sydney

10th April 2024


Senior Technical Expert - Post Production Department
Sydney based - Hybrid


A leading CG and animation studio who are a full-service production company specialising in live action commercials and content for top-tier clients. Their work combines creativity with cutting-edge technology, setting new standards in realism and innovation. With a strong focus on creative and technology solutions, delivering seamless interactive experience in cross platform, VR, Mobile and Large Format.


In this role you will not only maintain the existing Maya artist tool set and vehicle rigs, but also develop and create new ones for the team. You will enjoy supporting and mentoring our artists with technical and tool related production issues. With your solid technical experience you will assist the Head of Production in optimizing artist workflows and ensure we are maximizing our use of the renderfarm whilst also being happy to get your hands dirty with some vehicle rigging work thrown in for good measure!


Responsibilities:

Advise Head of Post Production on:
○ Tool development specifications, timelines, and costs.

○ Best Practice workflows to optimize production.



Develop and maintain..

○ Maya artist tools

○ Nuke artist tools

○ RV artist tool

○ Various Internal pipeline tools

○ Vehicle rigs (maya)



Support Post Production Artists (advising on potential solutions for issues)
Mentor junior TD


Outcomes

Project challenges and potential solutions are communicated to the Head of Post Production in a timely manner.
Solutions to project challenges protect Production schedules.
Tools and workflows are adjusted appropriately to changing business requirements.


Required Skills:

At least 5+ years of industry related experience
Experience with Maya and content creation
Impeccable attention to detail
Strong communication skills +
Great problem solving skills (Maya/Python)
Ability to grasp the bigger picture and prioritize accordingly
Mid to senior level Python
Good understanding of
○ Git or similar

○ Maya APIs (cmds, pymel)

○ Rigging(vehicle rigging mostly)



Nice to have / not crucial

Experience with…

○ Octane renderer;

○ Cloth/Fur/Hair

○ Nuke scripting

○ RV scripting

○ OpenMaya API

○ Deadline Farm Manage


This is a full-time position, based in Sydney.
If the above sounds like you, hit 'apply' now or send your CV and showreel to [email protected]
*please note only those based in australia with valid working rights need to apply

Post Producer

ARC Edit (Contract job) Alexandria, Sydney

15th January 2024

15th January 2024

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Post ProducerARC Edit

Alexandria, Sydney

15th January 2024


ARC EDIT is looking for a Sydney-based Post Producer to join the team on a 12 month parental leave cover contract.

As Australia’s leading boutique post-production company, ARC EDIT represents a highly sought-after roster of TV, film & commercial editors, as well as colour grade, online and VFX offerings.

As a producer in the Sydney office, you will be responsible for;

> quoting, scheduling and managing commercial post coming through ARC Sydney, including offline edit, colour grade & online/vfx
> budgeting, invoicing & reconciling projects
> collaborating with our production team in Melbourne to ensure consistency and seamless communication across locations
> mentoring new and existing junior staff
> overseeing the day-to-day running of the office and its staff to ensure a faultless client experience
> travelling to ARC Melbourne as required
> initiating and coordinating company events that foster learning, personal development, group engagement, socialisation and industry knowledge
> participating in industry events as required.


The ideal candidate will have;

> 5+ years experience at a post-production facility or production company/advertising agency engaged in post.
> a commitment to a career in post-production
> a thorough and detailed knowledge of post-production workflows
> a knowledge of visual effects and animation highly regarded
> a comprehensive network of production and agency contacts
high-level working knowledge of Microsoft Office suite and scheduling/budgeting program Farmers WIFE ideal.
> the ability to work calmly and constructively under pressure ~ the ability to manage multiple concurrent jobs ~ excellent communication skills & ability to speak confidently to artists, directors, clients and staff at all levels
> excellent attention to detail
> a proactive, organised, diligent & methodical sensibility

Job Alerts

Post-Production & Editing Department

What is the post-production & editing department?

Post Production & Editing
Post Production & Editing Jobs, Australia

The job of the post-production and editing department is amongst the most important in the film and TV industry. This team is tasked with turning reels of film (or more likely terabytes of data) into something that people will be excited to watch.

After the raw material has been captured during the filming process, the post-production and editing team gets to work. A team of editors, colourists, sound designers, subtitlers and more must organise the chaos, forming it into a coherent and compelling story. The end result is a polished and packaged TV episode or film, sent onward for sale and distribution.

Post-production & editing roles

Post-production supervisor

The role of a post-production supervisor is to manage the post-production process on behalf of the producer. The aim is to help the producer achieve as much as possible in the editing room given the budget at hand. The post-production supervisor will hire members of the post-production team and manage a strict budget. Their role can span the entirety of the film-making process, starting as an advisor to the producer, and ending when the film is delivered.

Bookings coordinator

Also known as: Scheduler

The bookings coordinator is tasked with managing much the minutiae of the post-production process. They will know both the process and the post-production company inside out, and use that knowledge to manage personnel, equipment and administration of the post-production period of the project. They assist with the coordination of all post-production work, and the scheduling of the personnel, both creative and technical, that will be responsible for completing it. Managing resources, providing administrative support and scheduling bookings are the main day-to-day tasks.

Post-production runner

Also known as: Edit trainee

An entry-level role, the post-production runner can be thought of as the oil that keeps the cogs of the post-production machine moving. The role is comprised of a number of tasks, including answering phones, tidying offices, fetching food and drinks, organising files, welcoming visitors and doing light administration. The post-production runner isn’t restricted to a single department, making it the perfect place for a newcomer to gain a holistic view of the post-production process.

Editor

An editor’s job is to put the jigsaw puzzle together. The role begins in pre-production, where the editor works with the producer to decide how to make the most of the script. Once filming starts they will roughly edit each day’s footage into a series of scenes - films tend to be shot out of order, so the editor must have a good understanding of the story from the beginning. In the post-production phase the editor will work with the director to refine the rough edits into a polished final cut, and will then oversee the addition of music and sound.

Colourist

Also known as: Post digital imaging technician, grader

The colourist is in charge of the look - and to some degree the mood - of the film. They begin by working with both the director and the director of photography to decide a palette, whether restrained or intense, dark or light, warm or cool. After the raw footage is shot and cut together it will be sent to the colourist, who will add the appropriate colour in. Again working closely with the directors, the colourist will need to balance and correct footage to ensure that a consistent look is achieved.

Music editor

The music editor is charged with intensifying the emotional impact of a film or TV episode via its soundtrack. They begin by working with the director to decide the role of the soundtrack, to find a music style that suits and to identify key moments in the film, before creating a temporary score. They will then work with a composer to turn the temp score into the real thing, and a music mixer to create a final dub. A music editor can act as a bridge between the sound and picture teams, facilitating better collaboration.

Deliverables producer

Each film distribution channel - cinema, streaming platform, DVD or any other - needs the film or TV episode to be supplied in a different file format. Slightly different cuts of the film may also be sent to different places to comply with local laws or to fulfill certain contract clauses. Working with the post-production supervisor, it’s the job of the deliverables producer to ensure that each recipient gets the version that they asked for.

Archivist

Also known as: Curator, librarian, archive consultant, records manager

The librarians of the film industry, archivists are employed by large production studios, institutes, broadcasters and non-profit organisations to ensure that productions aren’t lost in the sands of time. When a film is made, the final cut, along with proxy files, the script, stills, the production schedule and anything else of importance, is sent to the archivist to be catalogued in an archive, ready to be distributed whenever it might need to be. One of the few 9 to 5 jobs in film and TV, an archivist may also be tasked with restoring and digitising old productions.

Subtitler

Also known as: Translator, translator subtitler

The job of a subtitler is to expand the reach of a film or TV show by making it accessible to non-native speakers and the hard of hearing. Every audible noise in the production, whether dialogue, music or general sound, must be converted into two lines of text that usually appear at the bottom of the picture. The captions must be translated (where necessary), spell-checked, accurately time-stamped, and moved to another part of the picture if they obscure something important. Subtitlers generally work in a freelance capacity.

Supervising sound editor

Also known as: Special effects (SFX) editor, sound editor, sound effects editor

Supervising sound editors are charged with managing the sound team, which can be made up of people responsible for dialogue, additional dialogue recording (ADR), foley, background sounds and digital sound effects. Depending on the budget of the film they may be brought on board before shooting begins, or only after the final cut of the visuals has been approved. They work closely with the director to achieve the desired sound, are responsible for the sound budget, and generally take quite a hands-on role in creating the soundtrack.